Fragmented point of view; western genre conventions; post-war context;

Demonstrate how at least TWO of the filmmaker’s creative decisions in ONE film from the block (weeks 7-11) serve to establish the film’s point of view on the characters, story and subject. Screening: The Searchers (1956, John Ford, USA) Reading: Douglas Pye (1996) ‘Double Vision: Miscegenation and Point of View in The Searchers’ in Ian Cameron and Douglas Pye (eds) (1996) The Movie Book of the Western. London: Studio Vista, 229-235.

Topics: Fragmented point of view; western genre conventions; post-war context; interpreting themes; stylistic patterning.

#Fragmented #point #view #western #genre #conventions #postwar #context

Table of Contents

Calculate your order
Pages (275 words)
Standard price: $0.00

Latest Reviews

Impressed with the sample above? Wait there is more

Related Questions

Jonathan Edward’s writing style

Attention grabber – _How many preachers do you know graduate that have graduated from Yale at the age of fourteen and a dispassionate revivalist in

Developing a Case Study

Case Scenario Guidelines Select an actual event from your prior professional experience in which you or the organization(s) with which you work developed, enacted, implemented,

New questions

Don't Let Questions or Concerns Hold You Back - Make a Free Inquiry Now!